Wednesday, January 4, 2012

Happy New Year!

Happy New Year, everybody!

January update:

Not a heck of a lot to report. I'm working on a few portraits and portrait commissions, as well as getting going on a painting for the travelling YESSRS exhibition.

Aside from that, the studio is basically full of canvasses and mounted panels being prepared for painting upon. That means lots of gesso - the protective ground used on the surface to be painted - being deployed. So the studio has all these pure white rectangles starting to proliferate in it. I love the look of them. They're so pure, I hardly want to touch them.









































Monday, November 28, 2011

Website Updated!

Well, my website is all neatened up and updated. That's good!
















Holy eyestrain! Never mix Philip Glass and html.
Zzzzzzzzzzzzzzz.




Tuesday, November 22, 2011

(very early) December Update

Lots of good things going on.

- Plans are shaping up for a show of my new work at KWT Contemporary in the late summer or early fall of 2012, as well as a show for Galerie La Petite Mort in November 2012.

- I've been invited to submit a piece for a travelling group show called YESSR4, that will travel from Buenos Aires, Argentina, from March 15th to April 8th. Then, from Santiago, Chile, from May 10th to June 3rd. Then finally on to Ottawa to La Petite Mort from July 6th to July 29th. It looks pretty interesting. Definitely not flowers and teapots kinds of stuff.

-I'm submitting work to be included in a new book to be published by Bruno Gmunder. It will feature thirty-eight artists, all of whom work with the male figure.

Saturday, November 19, 2011

Monday, November 7, 2011

2B Magazine Article

Oooh! An article in Montreal's 2B magazine, about the show!
(Plus, a wee interview). Huzzah!

Link here

Sunday, November 6, 2011

Thanks Ottawa!

It was a wonderful show opening weekend. Lot of laffs, drinks, conversation and a really good dinner party. Thanks to Guy Berube and his gallery staff for making it all go so well.

Wednesday, November 2, 2011

Lookin' Good!
















Image courtesy of the La Petite Mort gallery website.


Galerie La Petite Mort has just put up pictures of my new show all hung up, as well as some nifty painting details from them.
It's always such a surprise to have seen the paintings hanging around the studio for a year, all homey and ordinarily familiar...then - bam! They're up and looking all official!

Link:


Monday, October 31, 2011

Website Updated

I've begun updating my website (www.jameshuctwith.ca) to provide readers with a less irritating experience. It's more comprehensible now.
The new show is all there, with , I think, a more telling set of pics than can be shown here.

Saturday, October 29, 2011

Images From The New Show





















The Land Of Milk And Honey
12x12"
Oil On Panel
2011






















Stormwatcher
12x12"
Oil On Panel
2011






















Self Portrait
12x12"
Oil On Panel
2011






















Roadside
22x28"
Oil On Canvas
2011





















The Helpful Snake
36x36"
Oil On Canvas
2011






















Prophet
22x28"
Oil On Canvas
2011

















Chrysalis
30x40"
Oil On Canvas
2011






















Memory Night
22x28"
Oil On Canvas
2011






















Man With A Glove (Medical Student)
24x30"
Oil On Canvas
2011






















Helene
12x12"
Oil On Panel
2011






















Fay Beset By Errant Cupids
12x12"
Oil On Canvas
2011





















Christ Pissing On A Pile Of Money
30x40"
Oil On Canvas
2011

Wednesday, October 26, 2011

OWS

Just a few posts and weeks ago, I was darkly complaining about the awful feelings of helplessness that had seemed to have saturated everything - how being bullied, browbeaten, lied to and fearful had increasingly become the norm.

Then, Occupy Wall Street, and the Occupy movement started, and - well, what a difference a few weeks have made.

Who knows where it's all going? But It's great to see a movement so inclusive, and so concerned with social justice. I hope it goes far - and reaches those right at the top. Further even - I hope that this is the start of something that will let great and uplifting change come through. Innovative, creative change. More goals than demands, more solutions than problems.

Wednesday, October 12, 2011

Tuesday, October 11, 2011

New Show

Memory Night

Friday, November 4, 2011
7-10pm

Galerie La Petite Mort Gallery

306 Cumberland Street
Ottawa, Ontario
Canada, K1N 7H9
613 - 860 - 1555

The show will run until November 27, 2011


Friday, September 16, 2011

Another September Update

The first painting finished for the November show and photographed. It's a mood and a puzzle shaped like a portrait. The likely titles decided upon. The artist's statement sent.
All in all, a good day.


Tuesday, September 13, 2011

Moods and Storms

I'm back to work today, after about five days of refusals. My views haven't changed any, but you can only keep up the furies so long. News is breaking since yesterday about the heedless, unnecessary and horrible cuts our newly-elected Mayor is about to inflict on this city. At this point, aside from signing petitions and passing on the usual social bits of interest, it's a relief to feel some distance and resignation. There's only so much you can control - if that's even the right word to use. Maybe 'influence' would be a better word. One has to pick one's battles, as well.
As it stands got my two co-existing downers and a long mental hangover from trouble to murk with daily.

North America isn't used to history. North America has thought, since the First People genocides, that it can control history. But history is really starting to take North America and wring it.

But, as for art and furious times: Matisse painted right through two world wars, but you'd never know it. His work is consistently abiding with pleasure. No one picks on him for that - it's hard to imagine him being of the necessary aesthetic temperament to paint the trenches. Sargent tried it, but the results didn't quite impact. He was too late and long in his fatuous career of painting gilded cream puffs by then.

It's interesting - is the art that dealt with trouble quite as...loved now? You don't hear the names of noted war artists very often. Barclay McClelland springs to mind - but not too many others. Pictorial art dealing directly with war hasn't held up in the mainstream.

Abstraction took worldwide anxieties up, perhaps with better results. Picasso's Guernica is a masterpiece, though he preferred to deal with his friends, dames and mythologies. Notably, there's Motherwell's Elegies For The Spanish Republic. However modern art is loved, it's generally ambivalent about being tied subject matter, or even a name. Divorced from appearance, it could deal with anything without having to actually bow to it. As warfare jumped ahead in inhuman, mechanized scale, maybe that range of distancing it embodied, combined with it's large physical scale, allowed it to succeed where humane pictorialism began to fail.

I'd say representations of war have held up in the media, but they haven't really. Reporter's images of it have been frontally blocked by the government, for starters, and the reporting has been 'imbedded' anyway, as they say. The programs about it are pretty crap. There's been a lot more worthy social art close to home, but it's more localized.

I don't paint abstractly, and I don't think I'm the guy to take on the woes of the world pictorially, either. My stuff is more inward, more hesitant. That said, I wonder who could do it?
Who's painting about the CIA, rendition, torture, right-wing authoritarianism, pollution, machined media, petro-Christianity and all the other things bedevilling us right now?

Cezanne said that he wanted "to conquer Paris with an orange." He did. Isn't that interesting?
That bit of history soothes my soul, right now.

Le Petite Train

Les Rita Mitsouko, 1989



Monday, September 12, 2011

DPN

To leaven the mood, it's great to see that Diseased Pariah News has all it's back issues online! See it all here.

But I'm Shopping As Fast As I Can!

Some fucking anniversary.





















Things have gotten worse in just ten years.

_______________________

This puts me in a mood.
Right now I'm hating painting, thinking art is a complete fucking waste of time. A know-nothing pursuit patronized by grasping shits, and maintained by wifty, useless wankers.

This mood seems to be lasting. I don't think it applies to just art these days, either.

Our whole society is currently overextended on rotten moral credit, and no one knows why anyone is doing anything past a certain point, except for the insistent drumbeat to pile up money at any cost. The pigs are running the show, and there's no intelligent resistance. War, fear, stupidity and lies are becoming common currency along with wholesale slavery, superstition and torture. There is no serious movement happening to prosecute the assholes responsible.

I don't suppose it's bad if artists lose faith every now and then. In fact, I'd say, why should we have it in the first place?

Art doesn't seem to be addressing what's going on in a way has any influence, and I don't expect television or movies to address the hideous fucking human rot at the top of our society, either. Commerce here - corporate and it's offshoots - has it's roots deep in slaughter. The fruits of that tree are surveillance, curtailment and fear.

All our claims to morality, peace, culture, and human progress are bankrupt now. And isn't that fucking depressing.

Wednesday, September 7, 2011

Studio Bits, early September 2011











































September Update

First Week:

Things are crawling along. Huzzah. Yeah, the painting's going OK.
Sometimes one just doesn't feel like writing pleasant, family-friendly updates.

I'm overcome with a kind of miserable fury today, at seeing a painter whose work I loathe go for sale for over thirty thousand dollars a pop. This is why I have to be careful how I cruise the net - for the sake of my sanity. Porn, paranoia and atrocity are old hat, but work this dire can still dim the available light in the world a bit.
The work is so smugly horrid, so screechingly, plonkingly execrable and derivative, so pornographically soulless and so remarkably popular, I can't help that wish that everyone who paid to purchase one of them comes down with a case of galloping facial piles and and cramping trots. It would do the world a further favour if the only way to remediate these symptoms was to break the painting over the artist's head and set it aflame.

I can't blame my bad mood on parasitical gay art alone.
Here in Toronto, our mayor (and his near-indistinguishable brother) seem set on destroying just about everything that makes this city liveable. Frills like transit, education, health, tolerance, gay rights, the creative class, understanding, intellectualism, peace, trust in and cooperation with government, etc. You get the picture.
Living in Toronto is a little bit like being in a relationship you can't break off, but don't know why.
It's not beautiful. It's not soulful. It's not even a good dancer. It asks people how much money they make over dinner, isn't sure why 'puritan' is a term of opprobrium, and, in a local joke, says, "Thank God It's Monday"...and yet it tries so hard to do right. I hate the place in such interesting ways, that I've kind of ended up loving it. Sort of.
So, when you have two suburban...how to put this kindly - OK, I will be polite - barging in and claiming that the city is a mess, a socialist hellhole full of commies and art, a bubbling fountain of ill-gotten gravy over a mountain of gold coins stolen by evil socialists from the honest hands of labourers everywhere, etc., etc...it doesn't help the mood.
I was barely in love with this striving, antiseptic, orderly, gung-ho good sport of a place as it stands. Now they're making it even more difficult.
The only good thing about them (The Mayor and his City Councillor brother) is that they've got the populace so riled up they're actually turning out speak, organize and to passionately defend the city. People's hearts are swelling, and their stopped tongues have been loosed. Pride, rambunctiousness and, yes! - even passion - are in evidence all about. This is wonderful! It will be an even more wonderful day when you can walk down the streets of Toronto and feeeeeeelllll that luxe passion in the air all the time, instead of having to find it in the bottom of the freezer, and thaw it out.

What's happening in Toronto seems to be part of a North American trend: ruling via enforced stupidity. It's very scary. It's most evident in the United States right now, with the Republican leadership trials featuring two people who are, to put it kindly, imbecilic, superstitious, manipulative fanatics.
Personally, I always feared being ruled by "intellects vast, cool and unsympathetic", to quote H.G. Wells. But this mucky, pointless sewer of rotten effluvia that's drowning out rational discourse - and even set on actually eliminating rational thought - is far worse.
Canada got a little whiff of it today, as our charmless Prime Minster tried to stir up fears that Moorification was a great threat to Canada. Real classie, thar, bringing that up on the tenth anniversary of the World Trade Center attack. An announcement by him about the perils of unjust wars, abridgement of human rights, and fundamentalist religion would have been nice. That, and how he can manage to even stand up with his lips firmly rallied 'round the flag of a wayard superpower so fundamentally corrupt that news of it's insincere dealings worldwide reads like rivulets of bloody pus. But, he's a fundamentalist himself, so I won't be expecting any water from that rock.

Well, I'm off to bed at 7a.m. What dreams may come!